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	<title>Dyski</title>
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	<pubDate>Thu, 04 Jun 2026 15:58:08 +0000</pubDate>
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		<title>Index</title>
				
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		<pubDate>Sat, 06 Apr 2024 18:47:58 +0000</pubDate>

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	Music Retreats: The Five-Night Form at Dyski


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		<title>Archive</title>
				
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		<pubDate>Thu, 04 Jun 2026 15:58:08 +0000</pubDate>

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	Archive
	A record of all previous Dyski residencies. 
If you'd like us to run any of these again, please let us know.&#38;nbsp;
If enough people are interested we'll try to make it happen.
	

	

	Weekend Modular
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	Radio MusicTom WhitwellNovember 2-6, 2025


	
A hands-on residency exploring radio as both a source of sound and a creative method, working with surprise, unpredictability, and new ways of listening and composing.
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	Visual Music with Lea Fabrikant and Tarik BarriApril 18–22, 2026
	A residency exploring visual music, treating sound and image as interdependent elements that evolve together through time, gesture, and improvisation.
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	Works in Progress:Make Your Own ToolsApril 24–28, 2026
	A collaborative residency for musicians and sound artists designing personal tools, instruments, and ways of working, supported by shared space and open-ended making.This edition of Works in Progress focuses on developing personal tools for making sound. Participants are invited to experiment with software, hardware, objects, and self-designed systems, exploring ways of working that grow out of their own practice.

Designed for musicians and sound artists who sense that their way of making music is shifting, particularly in relation to the tools, instruments, or systems they work with, and who want time and space to explore what that change might lead to.


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	Sound Mapswith Tom Whitwell


	An Album in One Week with Graphic Scores
Three editions of Sound Maps have taken place: two in Cornwall, UK, and one hosted by the Responsive Ecologies Lab at Toronto Metropolitan University, taking place on Toronto Island. The residency focuses on collaboration, experimental scoring, and rapid album making in response to place.
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	2025
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	2024
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	Biophilic Sound: Helen Anahita WilsonOctober 13–17, 2025
	Composing with PlantsA residency exploring biophilic sound and plant-derived music, working with plant biodata, bioelectricity, and botanical material to generate sound and develop new compositions. Set in private woodland in Lamorna, West Penwith


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	Cinematic SoundJuly 7–11, 2025
	Film, Music &#38;amp; the Spaces BetweenA collaboration between Dyski and Zennor Sounds, hosted at Sam Okell's Dolby Atmos studio in Zennor. Composers, musicians, and sound artists worked together on a collective film score and individual sound pieces, with daily sessions from guest artists including film composers, foley artists, and sound designers.&#38;nbsp;
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	Writing Seas &#38;amp; TreesWyl MenmuirSeptember 9–13, 2024
	Exploring the Draw of the Woodlands and OceansA writing retreat exploring the draw of woodland and ocean, led by the award-winning Cornish author. Participants wrote in response to the natural landscape, guided by Wyl's own practice and his books The Draw of the Sea and The Heart of the Woods.&#38;nbsp;
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	Sonic RitualsA Man Called AdamMarch 30–April 03, 2024
	
	
	Building a Sound Art Practice with Drs Sally Rodgers &#38;amp; Steve JonesA residency exploring sound art and the Cornish landscape with electronic music pioneers Sally Rodgers and Steve Jones, working with field recording, the natural environment, and the ancient surroundings of West Penwith.
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	Impossible StoriesCatrina DaviesJanuary 8–12, 2024

February 1–5, 2026
	The politics of place and the craft of memoir writing.
A residential writing workshop exploring the politics of place and the craft of memoir, set in the Cornish landscape. Participants worked on developing an authentic voice and the foundations of a new writing practice.
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		<title>Wyl Menmuir - Writing Stone</title>
				
		<link>https://dyski.co/Wyl-Menmuir-Writing-Stone</link>

		<pubDate>Wed, 03 Jun 2026 11:05:47 +0000</pubDate>

		<dc:creator>Dyski</dc:creator>

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	Writing Stone
Wyl Menmuir
September 7–11, 2026

	Nature Writing and the Landscapes That Define Us

	


 

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The Highlights 

Five days writing with Wyl Menmuir, Man Booker nominated author, in one of the landscapes at the heart of his trilogy on place and the natural world.&#38;nbsp;Dedicated time away from ordinary life to write, think, and pay close attention to the world around you.&#38;nbsp;Built around The Spirit of Stone, his new book on our relationship with the natural world, in one of the most stone-rich corners of Britain.&#38;nbsp;Come with work in progress. Leave with new writing and a different relationship with place.The Basics

Five nights accommodation in West Penwith, Cornwall, full board.
Four full days of writing sessions, workshops, and discussion with Wyl.
All meals, snacks and drinks included, with all dietary requirements catered for.
Time to walk, visit ancient sites, and write in the landscape.


 




  
 
    
    
 
    
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	What draws us to stone? What does it mean to write from a landscape shaped by rock and earth, by the weight of what endures?

Wyl Menmuir returns to Dyski for a writing retreat built around his new book The Spirit of Stone, the final part of his trilogy exploring our relationship with place. Where The Draw of the Sea took readers to the water's edge and The Heart of the Woods into the forest, this retreat journeys into the landscapes of rock, stone and earth.

From mountains and caves to stone circles and quarries, from Neolithic carvings to the buildings we live and work in, stone is everywhere beneath us and around us, shaping not only our landscapes but our imaginations and the ways we live together. This retreat takes all of that as its starting point.

Set within a private woodland in West Penwith, one of the most stone-rich corners of Britain, with quoits, menhirs, fogous and ancient monuments within easy reach, we'll spend five days writing and thinking together. We'll visit some of these places. We'll write near them, about them, or simply alongside them.

The sessions are open to writers at any stage, working in any form. Fiction, non-fiction, poetry, or something harder to name. Wyl's work has always moved between the page and the landscape, and this retreat follows the same instinct: that close attention to the natural world, to the specific weight and texture of a place, is one of the most useful things a writer can do.

This retreat will appeal to anyone drawn to nature writing and landscape writing, and to anyone who has ever stood in front of something ancient, or vast, or quietly ordinary, and felt the pull of it.

Five nights accommodation in Cornwall. All meals included.











The cost of this residential workshop is:



£500 for a non residential place.
£995 for a shared twin room.
£1250 for a private double room.
£1450 for a private double room with en-suite.

 

	&#60;img width="960" height="1201" width_o="960" height_o="1201" data-src="https://freight.cargo.site/t/original/i/f2b7329ab1856ea55d22f892fa875a9c271e7d6f7fd7bb231172e28839f03d7b/Wyl-Menmuir.jpeg" data-mid="249056483" border="0" data-no-zoom src="https://freight.cargo.site/w/960/i/f2b7329ab1856ea55d22f892fa875a9c271e7d6f7fd7bb231172e28839f03d7b/Wyl-Menmuir.jpeg" /&#62;
Wyl Menmuir is a multi award-winning author of novels, non fiction and short stories. 
 His 2016 debut novel, The Many, was nominated for the Man Booker Prize. Wyl's non-fiction books have been awarded the Roger Deakin Award from the Society of Authors, the Award for Excellence from the OWPG, and a Holyer an Gof Award. 
 In 2026, he was awarded the Blue Metropolis Planet Literature Prize, given for a body of work that demonstrates the beauty and fragility of the living world and promotes greater ecological awareness. 
 A former journalist, Wyl has written for Radio 4, The Guardian and The Observer. He is a senior lecturer in creative writing at Falmouth University and a regular tutor for Arvon Foundation and Curtis Brown Creative.
Born in Stockport in 1979, Wyl now lives in Cornwall with his wife and two children. When he is not writing or teaching writing, Wyl enjoys messing around in boats.


 ︎︎ /wylmenmuir︎

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	Funded places and accessThere are two fully funded places available for this residency, intended to support those who may need financial assistance to attend.Funded places cover the residency fee, accommodation, and all meals for the week. Travel costs are not included.Access is important to us. If there is anything that might make attending difficult, including access to equipment, please let us know when applying. We will do what we can to support access.
	How to applyTo apply for a funded place, please submit a short statement of no more than 300 words explaining why you would like to take part, what you hope to gain from the experience, and how it would support your practice.Grant deadline: July 20th, 2026.
	Apply for a funded place




  
    
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</description>
		
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	<item>
		<title>Paul Cousins - Composing With Tape</title>
				
		<link>https://dyski.co/Paul-Cousins-Composing-With-Tape</link>

		<pubDate>Mon, 09 Dec 2024 11:20:27 +0000</pubDate>

		<dc:creator>Dyski</dc:creator>

		<guid isPermaLink="true">https://dyski.co/Paul-Cousins-Composing-With-Tape</guid>

		<description>
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	Composing With Tape 
Paul Cousins

September 19-24, 2026

	A Week of Experimental Analog Music Creation


	




	&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/4ee93bd2eb59f56a04b45e44c47888174685743c8c4b5a43cf29d576d6b1025e/Tape_2026_2.png" data-mid="249160809" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/4ee93bd2eb59f56a04b45e44c47888174685743c8c4b5a43cf29d576d6b1025e/Tape_2026_2.png" /&#62;

Arrival: 
Saturday 19th September, 4pm
Departure: 
Thursday 24th September by, 11am.

The Highlights

Work and learn with experienced Composer and Sound Artist Paul Cousins.Explore Tape as material for experimentation.Create your own work and be part of a group exhibition of tape works.Optional outings to walk, swim &#38;amp; explore the Cornish coastline.
The Basics

 
Five nights accommodation in Cornwall.
Four full days of teaching, workshops, discussions and activities.
All inclusive - breakfast, lunch, dinner, snacks and drinks included&#38;nbsp;All dietary requirements catered for.





  

    
    
    

    
    
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        &#38;nbsp;Shared room
      

      
        
        &#38;nbsp;Non residential
      
    

    
    
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        &#38;nbsp;Three instalments
      
    

    
    
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Booking optionsThis residency costs from £1250

The fee brings together an expert-led, curated residency programme alongside accommodation and full catering for the week.

Shared room £1250
Non residential £600

The non residential option includes full participation in all workshops and shared sessions, plus all daytime meals and refreshments.


Join sound artist and composer Paul Cousins for a week-long exploration of reel-to-reel tape machines and the creative possibilities of analog recording. Set against the inspiring backdrop of the Helford River, this immersive residency invites participants to delve into the tactile, hands-on world of tape manipulation, looping, and sound design.

During this workshop, we'll use reel-to-reel tape machines as both musical instruments and tools for composition. Paul will guide us through the fundamentals of tape recording, splicing, and looping, as well as advanced experimental techniques of tape delay and manipulation. Participants will have the opportunity to experiment with layering, degradation, and texture, discovering how the physicality of tape can inspire entirely new approaches to sound. By focusing on creating outside of the DAW and working directly with objects instead of screens, we'll embrace a process that celebrates the heart and soul of analog equipment.

Our creative journey will include collaborative sessions where we'll craft unique tape-based compositions, drawing inspiration from the natural elements around us. Field recording outings will offer an opportunity to capture environmental sounds, which we'll manipulate and integrate into our works. Participants are encouraged to bring their own instruments or sound sources (compact and portable), and Paul will provide several reel-to-reel machines and custom tools for experimentation.

Throughout the week, we'll reflect on the innovative techniques pioneered by artists such as Steve Reich, Delia Derbyshire, Brian Eno, and Éliane Radigue, exploring how analog tape can connect us to a slower, more deliberate process of creation. By the end of the residency, you will gain hands-on experience with tape-based composition and discover new methods of sound design. You'll leave with a collaborative collection of tape-driven works, including personal tape loops that serve as mementos of the creative journey and the beginnings of a shared tape loop archive.

This workshop is open to anyone curious about the creative potential of analog tape, from seasoned sound artists to those new to tape machines. Discover the beauty of imperfection, the magic of physical sound, and the joy of composing with tape.

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Residency Lead

Paul Cousins is a sound artist &#38;amp; composer based in London. Using a collection of 1/4" reel-to-reel machines, tape echoes and other analogue equipment, he creates music on the themes of obsolete technology and imperfection. His compositions have featured in installations at Barbican, 180 Studios and on BBC radio. In addition to releases with Decca and Castles in Space, in the studio he has worked on a diverse range of projects for acclaimed artists &#38;amp; record labels. His recent sound installation 'Atomised Listening' invited visitors to interact with obsolete music technology at Stone Nest in London's West End.

"Dreamy, meditative compositions" - FACT magazine
"Soaringly lovely" - Electronic Sound
"Atomised Listening uses obsolete equipment as a feature, creating a sound sculpture that allows an interaction between the audience and the tapes they manipulate" - The Wire


︎︎︎ ︎︎︎ paulcousinsmusic.com
 ︎ ︎&#38;nbsp;paulcousinsmusic

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	Accommodation options
We offer a small number of room types. Each option is booked separately and subject to availability.
Private King with ensuite (0)
Private King (0)

Shared room (5)



Private Rooms
Private King with ensuiteA private room for one person with a king-size bed and ensuite bathroom. Includes patio doors out to a terrace and garden. Light-filled and peaceful.
&#60;img width="800" height="523" width_o="800" height_o="523" data-src="https://freight.cargo.site/t/original/i/585df7cc40c39b9db8ef1a1459cafd01054781e930ee9ea49c3f88312d7a56a5/Calamansac-West-Wing.-Falmouth.-Helford-River.-Cornish-Holiday-Cottages.-Double-Bedroom.jpg" data-mid="246817676" border="0"  src="https://freight.cargo.site/w/800/i/585df7cc40c39b9db8ef1a1459cafd01054781e930ee9ea49c3f88312d7a56a5/Calamansac-West-Wing.-Falmouth.-Helford-River.-Cornish-Holiday-Cottages.-Double-Bedroom.jpg" /&#62;
Private KingA private room with a king-size bed and shared bathroom. First-floor, light-filled, with garden or creek views.
&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/57ee54dba9c5b3c4c47d77cf84c682e6e65984a0b65845a39dced533732da76d/Calamansac-West-Wing.-Falmouth.-Helford-River.-Cornish-Holiday-Cottages.-Large-Double-Bedroom-1.jpg" data-mid="246817677" border="0"  src="https://freight.cargo.site/w/800/i/57ee54dba9c5b3c4c47d77cf84c682e6e65984a0b65845a39dced533732da76d/Calamansac-West-Wing.-Falmouth.-Helford-River.-Cornish-Holiday-Cottages.-Large-Double-Bedroom-1.jpg" /&#62;

	Shared rooms
Single bed in a room shared with up to three other guests. Each person has their own recessed alcove with a bed, reading light, and storage. Shared bathrooms are light-filled and beautifully designed.

&#60;img width="954" height="636" width_o="954" height_o="636" data-src="https://freight.cargo.site/t/original/i/b0d3eb5952ea812103e2d93c7881d2acbaf639c32640104d5031ecd5d7251e97/Calamansac-East-Wing.-Helford-River.-Cornish-Holiday-Home.-Group-Holiday.-Child-Friendly.jpg" data-mid="223097604" border="0" data-no-zoom src="https://freight.cargo.site/w/954/i/b0d3eb5952ea812103e2d93c7881d2acbaf639c32640104d5031ecd5d7251e97/Calamansac-East-Wing.-Helford-River.-Cornish-Holiday-Home.-Group-Holiday.-Child-Friendly.jpg" /&#62;Shared twinOne twin room is available for two people travelling together. This option is by request. Please email us if you would like to share.
&#60;img width="700" height="467" width_o="700" height_o="467" data-src="https://freight.cargo.site/t/original/i/6060a001a5ffc8333b5b695d396d8e226bdc59bc04d8597a94383dff66785f02/Calamansac-Estate-Helford-River-Garden-View-Double-Bedroom-1.jpg" data-mid="246817678" border="0"  src="https://freight.cargo.site/w/700/i/6060a001a5ffc8333b5b695d396d8e226bdc59bc04d8597a94383dff66785f02/Calamansac-Estate-Helford-River-Garden-View-Double-Bedroom-1.jpg" /&#62;




	
Funded places and accessThere are two fully funded places available for this residency, intended to support those who may need financial assistance to attend.


Funded places cover the residency fee, accommodation, and all meals for the week. Travel costs are not included.
Access is important to us. If there is anything that might make attending difficult, including access to equipment, please let us know when applying. We will do what we can to support access.






	How to apply
To apply for a funded place, please submit a short statement of no more than 300 words explaining why you would like to take part, what you hope to gain from the experience, and how it would support your practice.


Grant deadline: July 20th, 2026.






Apply for a funded place

  
    
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</description>
		
	</item>
		
		
	<item>
		<title>The Mixing Residency</title>
				
		<link>https://dyski.co/The-Mixing-Residency</link>

		<pubDate>Wed, 03 Jun 2026 10:23:17 +0000</pubDate>

		<dc:creator>Dyski</dc:creator>

		<guid isPermaLink="true">https://dyski.co/The-Mixing-Residency</guid>

		<description>
	The Mixing Residency
October 12–17, 2026

	 A week with Sam Okell on the craft of finishing music 

	Dyski x 
Zennor Sounds&#38;nbsp;




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The Highlights

Work directly with Grammy and Emmy winning engineer Sam Okell on your own tracks.Record and mix inside Zennor Sounds, a purpose-built Dolby Atmos studio in West Penwith.Small group of around ten participants, with space for detailed feedback and real conversation.
The Basics
 
Five nights accommodation in Zennor, full board.&#38;nbsp;Four full days of studio sessions, listening, and discussion.&#38;nbsp;All meals, snacks and drinks included, with all dietary requirements catered for.Optional walks along the West Penwith coastline.





  

    
    

    
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The cost of this residency is:

£900 non residential (4 left)

£1250 mezzanine single bed, shared room (1)
£1500 double bed, shared room (1)
£1500 private single, shared bathroom (1 left)
£1700 private double with en suite (1 left)






	Most unfinished music isn't missing more production. It's missing clarity about what it is, what it needs, and how to get it there.

The centre of this residency is Sam working live on participant tracks inside his purpose-built Dolby Atmos studio in Zennor, Cornwall, making decisions in real time, explaining the thinking behind each move, with the group listening and learning as it happens. Your music, or someone else's, is on the monitors, being worked on by an experienced mixing engineer with credits spanning major contemporary music and film projects.

Participants are invited to bring works in progress, unfinished tracks, demos, sketches or stalled projects and use the week as a focused space to better understand what their music needs, emotionally, technically, and sonically.

Through listening sessions, live demonstration, and open group discussion, the week explores EQ, compression, dynamics, spatial mixing, depth, balance and arrangement, and how these choices shape the emotional impact and real world translation of a track, from studio monitors to headphones and everyday listening environments.

Equal weight is placed on technical process and creative perception. Alongside studio sessions, participants explore how to listen more critically, identify what a track is missing, and make decisions without losing the original intent of the music. Conversation throughout the week also addresses workflow, creative block, overworking mixes, momentum, and developing trust in your own listening. This often reveals new directions in the work that are not visible when working alone.

With a small group of around ten participants, the residency is designed to feel intimate, open, and responsive, with space for questions, experimentation, and detailed feedback. Not every track will be mixed in full, but multiple works in progress will be explored live, giving everyone the opportunity to learn through observation and shared critical listening.
Who this is for
This residency is for producers, musicians, and composers who have music sitting unfinished: tracks that feel close but not quite there, or projects where the mix is getting in the way of the music. You don't need to be working professionally. You need to have something worth finishing and a genuine interest in understanding why it isn't done yet.

What the week involves
Sam works directly on selected participant tracks in real time, demonstrating approaches to EQ, compression, dynamics, balance, spatial processing and mix development, while explaining the decisions behind each move, so you understand not just what is happening but why it works.

Participants share works in progress and receive focused feedback on tone, arrangement, translation, emotional impact and clarity in the mix, including how the music behaves outside the studio environment. This often surfaces directions in the work that are genuinely new.

The group explores practical approaches to vocal treatment, low end management, automation, stereo imaging, depth, movement, and strategies for finishing a record without losing what made it interesting in the first place.

Participants work inside Zennor Sounds' custom designed Dolby Atmos environment, exploring spatial mixing and considering how space and placement change emotional perception in ways that stereo cannot.

Open discussion continues throughout the week around workflow, creative block, decision making, and the realities of finishing and releasing music.

Set against the landscape of West Penwith, the residency offers time away from routine, supporting deeper listening, reflection, and creative focus.

	
&#60;img width="4724" height="3151" width_o="4724" height_o="3151" data-src="https://freight.cargo.site/t/original/i/9da4c28cf7f775fa912b7806ff330b087fa14b64cf1a2d626b025682a4b762fe/zensounds-66.jpg" data-mid="249052400" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/9da4c28cf7f775fa912b7806ff330b087fa14b64cf1a2d626b025682a4b762fe/zensounds-66.jpg" /&#62;&#60;img width="4724" height="3151" width_o="4724" height_o="3151" data-src="https://freight.cargo.site/t/original/i/6df2c5f3388d0f7defa7a870de5fd0285b6641762b9e400dcdea2908d11d75b1/zensounds-122.jpg" data-mid="249052404" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/6df2c5f3388d0f7defa7a870de5fd0285b6641762b9e400dcdea2908d11d75b1/zensounds-122.jpg" /&#62;&#60;img width="2806" height="2852" width_o="2806" height_o="2852" data-src="https://freight.cargo.site/t/original/i/f1e5fff70f5b8074c716eb8575c8276f9b9f1c8a69e2e5d62fa9a69be547a603/zennor-front-aug-24-a.jpg" data-mid="249052360" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/f1e5fff70f5b8074c716eb8575c8276f9b9f1c8a69e2e5d62fa9a69be547a603/zennor-front-aug-24-a.jpg" /&#62;Zennor Sounds
Zennor Sounds is the studio of Sam Okell, a multiple Grammy and Emmy winning engineer whose career began at Abbey Road Studios. Sam has spent years at the centre of some of the most significant mixing and remastering projects of recent decades, including the Beatles back catalogue, the White Album remix with Giles Martin, Sgt. Pepper's 50th anniversary edition, and long running collaborations with composer Daniel Pemberton across Spider-Man: Into the Spider-Verse, Project Hail Mary, and Masters of the Universe. His work spans Nick Cave, The Beach Boys, John Williams, PJ Harvey, and an extensive body of orchestral and film recording including Rocketman, The Hobbit, Enola Holmes, Harry Potter and The Theory of Everything.

The studio is purpose built for critical listening and immersive audio, featuring a custom designed Dolby Atmos mix room with 7.2.4 ATC monitoring, natural light, handcrafted iroko details and a characterful recording booth.
︎︎︎ ︎︎︎&#38;nbsp;zennorsounds.com
 ︎ ︎&#38;nbsp;zennorsounds
&#60;img width="500" height="667" width_o="500" height_o="667" data-src="https://freight.cargo.site/t/original/i/0a09f80521ceec9659752236d023d4cc2e35ef13420561a5ce006cc4f2c48b32/Zennor.jpg" data-mid="249052407" border="0" data-no-zoom src="https://freight.cargo.site/w/500/i/0a09f80521ceec9659752236d023d4cc2e35ef13420561a5ce006cc4f2c48b32/Zennor.jpg" /&#62;
Residency Support

Dyski founder Dion Star is a writer and musician working across experimental sound and collaborative practice, and supports the delivery of the residency throughout the week.




	

	
&#60;img width="4724" height="3151" width_o="4724" height_o="3151" data-src="https://freight.cargo.site/t/original/i/c784772cf1f61f55d42f1275a3a3246f42d7daf265c98a4a4a4c868209e8e543/DSC00734-2.jpg" data-mid="249052345" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/c784772cf1f61f55d42f1275a3a3246f42d7daf265c98a4a4a4c868209e8e543/DSC00734-2.jpg" /&#62;
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&#60;img width="4724" height="3151" width_o="4724" height_o="3151" data-src="https://freight.cargo.site/t/original/i/d9b6eb73955f842b60cc3a610e7fe4c57eeeacc2c73004bfa501196ab4e7ab79/DSC00720.jpg" data-mid="249052344" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/d9b6eb73955f842b60cc3a610e7fe4c57eeeacc2c73004bfa501196ab4e7ab79/DSC00720.jpg" /&#62;

	&#60;img width="4724" height="3151" width_o="4724" height_o="3151" data-src="https://freight.cargo.site/t/original/i/27d0c301acce5ec64087897b00dc8a810f64638cc8410221ea16692fa1b1432b/DSC00650.jpg" data-mid="249052342" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/27d0c301acce5ec64087897b00dc8a810f64638cc8410221ea16692fa1b1432b/DSC00650.jpg" /&#62;

	

	
    
  
    
    Funded places and accessThere is a fully funded place available for this residency, intended to support those who may need financial assistance to attend.Funded places cover the residency fee, accommodation, and all meals for the week. Travel costs are not included.Access is important to us. If there is anything that might make attending difficult, including access to equipment, please let us know when applying. We will do what we can to support access.



	How to applyTo apply for a funded place, please submit a short statement of no more than 300 words explaining why you would like to take part, what you hope to gain from the experience, and how it would support your practice.Grant deadline: August 20th, 2026.

	Apply for a funded place





  
    
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</description>
		
	</item>
		
		
	<item>
		<title>Tom Whitwell - Radio Music</title>
				
		<link>https://dyski.co/Tom-Whitwell-Radio-Music</link>

		<pubDate>Mon, 19 May 2025 12:04:30 +0000</pubDate>

		<dc:creator>Dyski</dc:creator>

		<guid isPermaLink="true">https://dyski.co/Tom-Whitwell-Radio-Music</guid>

		<description>
	Radio Music 2
Tom Whitwell

November 15-20, 2026

	Field recording from the ether



	




	&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/9c589712b95bd2fda5093c50ec92e2b64199b798678817fbda9e6140659dd697/Radio-Music-2.png" data-mid="249238944" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/9c589712b95bd2fda5093c50ec92e2b64199b798678817fbda9e6140659dd697/Radio-Music-2.png" /&#62;&#60;img width="2500" height="1664" width_o="2500" height_o="1664" data-src="https://freight.cargo.site/t/original/i/002e03bd37f0a1284244d5471802a678d398613763f05a4947cc0eaae910c17d/goonhilly.jpg" data-mid="233449026" border="0"  src="https://freight.cargo.site/w/1000/i/002e03bd37f0a1284244d5471802a678d398613763f05a4947cc0eaae910c17d/goonhilly.jpg" /&#62;

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&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/09f549cf41af4a31acf32430a843e347515042f4930b9f9c7a9aa23debdbae1f/Last-months-Sound-Maps-residency-with-dyski-in-Cornwall-was-a-huge-success-so-were-now-planning-a-new-thing-for-later-in-2025.-Cornwall-again--another-4-5-day-residential-event-for-musicians-of-all-kinds.-This-time-the-theme-is-R-3.jpg" data-mid="233399730" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/09f549cf41af4a31acf32430a843e347515042f4930b9f9c7a9aa23debdbae1f/Last-months-Sound-Maps-residency-with-dyski-in-Cornwall-was-a-huge-success-so-were-now-planning-a-new-thing-for-later-in-2025.-Cornwall-again--another-4-5-day-residential-event-for-musicians-of-all-kinds.-This-time-the-theme-is-R-3.jpg" /&#62;

Arrival: Sunday 15th November, 4pm
Departure: Friday 20th November by, 11am.
The Highlights

Five days working with Tom Whitwell at one of the most beautifully situated hotels in Cornwall, perched above the sea on the Lizard Peninsula.All meals included, with a locally sourced dinner each evening in the hotel restaurant. The food is excellent.Optional outings to walk and explore the Cornish coastline and discover the area's rich communications history.The Basics
 
Five nights accommodation at Housel Bay Hotel, Cornwall.Four full days of workshops, listening sessions, discussions and activities.&#38;nbsp;All dietary requirements catered for.



  

    
    

    
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        &#38;nbsp;Private King (Panoramic sea views)
      
      
        
        &#38;nbsp;Private King
      
      
        
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        &#38;nbsp;Shared twin room
      
    

    
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        &#38;nbsp;Three instalments
      
    

    
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Submit your booking request and we'll hold your place for three days while we send you a secure payment link. Your place is confirmed on receipt of payment. You can pay in full or spread the cost across three equal instalments
The cost of this residency is:

Shared twin room:£1250
Standard cosy room: £1350

Private King,
Ocean View: £1500

Private King, Panoramic Sea View: £1700&#38;nbsp;(The most spacious rooms, with uninterrupted panoramic sea views and a window seating area).




	Radio is a kind of invisible weather, a drifting archive of voices, music, static and signal that passes constantly through us. It is global, nostalgic, unpredictable and alive.

In this residency, we'll be working at Housel Bay on the Lizard Peninsula, a place deeply connected to the earliest days of broadcast history. This is where radio began, where Marconi's first transmissions crossed the sea and changed the way sound could travel. A century later, we will tune in to the same air and use it to create music.

Radio Music is a hands-on residency for musicians and soundmakers of all kinds. Whether you are writing songs, working with synthesisers, collecting field recordings or making abstract sound pieces, this is an opportunity to explore radio as both a source of sound and a creative method, a way of listening, composing and collaborating that invites surprise and unpredictability.

You will listen to live broadcasts and archival recordings, picking up fragments of music, speech, noise and silence, then use those discoveries to shape new pieces, individually and in collaboration with others. Some of these will be simple sketches. Others may grow into layered compositions or collective performances.

Over the course of the residency, you will use:

Shortwave, AM and FM radios, including portable and modified setsLow-power transmitters, broadcasting across a single roomLunchbox modular synthesisers and lo-fi playback toolsRecordings of broadcasts, international stations and found tapesOnline WebSDR streams and signals from radio telescopes, capturing transmissions far beyond the local airwaves
You will explore methods such as:
Sampling and looping fragments from the dialImprovising with spirit radio and found texturesLayering voices and static into new worksWriting songs shaped by atmosphere, not genreChance-based and radio-responsive structures, like Cage's Imaginary Landscape No. 4Some work will be solo, some created in groups. Shared listening, collaborative composition and collective soundmaking are central to the experience. The process is open-ended. Radio becomes a prompt that folds easily into your own musical practice, whether that is melody and rhythm, collage and abstraction, or voice and narrative.

Throughout, the goal is to connect with sound in a different way, to use limitation and chance as creative allies. Throughout, the goal is to connect with sound in a different way, to use limitation and chance as creative allies. This workshop is about building confidence by working with whatever is available. The static, the signal dropouts, the unexpected phrase, all of it becomes material for your own musical language.

Your work might lean into ambient sound, storytelling, songwriting or experiment. Some pieces will be made alone, others together, responding to shared broadcasts or building multi-layered compositions as a group. Made in a place where radio once began, and where it still fills the air.

	&#60;img width="1819" height="2291" width_o="1819" height_o="2291" data-src="https://freight.cargo.site/t/original/i/3b6d3e34471365033ff3a982d5a493de624e751716693f738ab90375301c0ff3/751A9728.jpg" data-mid="233395140" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/3b6d3e34471365033ff3a982d5a493de624e751716693f738ab90375301c0ff3/751A9728.jpg" /&#62;Residency Lead
Tom Whitwell: A former journalist and magazine editor (Mixmag &#38;amp; The Face), Tom designs open source music electronics as Music Thing Modular and is and is objectively interesting (according to the book Do Interesting - Notice. Collect. Share). Tom also writes fascinating lists on the internet: 52 things Tom Learned in 2025

︎︎︎ ︎︎︎︎︎︎&#38;nbsp;musicthing.co.uk ︎ ︎︎&#38;nbsp;musicthingmodular
︎ ︎︎&#38;nbsp;tomwhitwell+ Visiting Guests TBC: 
&#60;img width="2140" height="1606" width_o="2140" height_o="1606" data-src="https://freight.cargo.site/t/original/i/8a5cec98d0f3d494a3e238c5b806e991d704598f779716c62103271325560ecb/FogHorn.jpeg" data-mid="249242204" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/8a5cec98d0f3d494a3e238c5b806e991d704598f779716c62103271325560ecb/FogHorn.jpeg" /&#62;
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/953458c9fbb66d39ed173b1b9a7d8d2d9b95efd8a4090e7f87b1576629a45952/HBHOtel.jpg" data-mid="233395764" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/953458c9fbb66d39ed173b1b9a7d8d2d9b95efd8a4090e7f87b1576629a45952/HBHOtel.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/f9f16ddb657814f4fba068c64b0d69005a0d5308633af17a609f01147ec2bf93/Greenwood-DSC_9704-Edit.jpg" data-mid="233396228" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/f9f16ddb657814f4fba068c64b0d69005a0d5308633af17a609f01147ec2bf93/Greenwood-DSC_9704-Edit.jpg" /&#62;
&#60;img width="1022" height="716" width_o="1022" height_o="716" data-src="https://freight.cargo.site/t/original/i/46700bb0d6a5631b17987dd2de17eff57b6d16bcbfbfd491f5c918ffe8e8ecce/479160792.png" data-mid="233400028" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/46700bb0d6a5631b17987dd2de17eff57b6d16bcbfbfd491f5c918ffe8e8ecce/479160792.png" /&#62;
&#60;img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/3edf51ba4a7a9f4cf8353dcb7aa93a1d219b5dff8a00c8f57099c211201f7466/The-Terace.jpg" data-mid="233396225" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/3edf51ba4a7a9f4cf8353dcb7aa93a1d219b5dff8a00c8f57099c211201f7466/The-Terace.jpg" /&#62;





	

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&#60;img width="1200" height="840" width_o="1200" height_o="840" data-src="https://freight.cargo.site/t/original/i/dd816810fc1974160959caef3d4ef1d250134859c2f87b5a05e1fb543b7acde8/319bf968.jpeg" data-mid="233395321" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/dd816810fc1974160959caef3d4ef1d250134859c2f87b5a05e1fb543b7acde8/319bf968.jpeg" /&#62;

	&#60;img width="1200" height="840" width_o="1200" height_o="840" data-src="https://freight.cargo.site/t/original/i/e896a942d2a53bcd444fe7c36e2307f635dcdb87d4de594927eef866ca7a6e65/5a783a9e.png" data-mid="233400023" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/e896a942d2a53bcd444fe7c36e2307f635dcdb87d4de594927eef866ca7a6e65/5a783a9e.png" /&#62;

	

	




Funded places and accessThere are two fully funded places available for this residency, intended to support those who may need financial assistance to attend.Funded places cover the residency fee, accommodation, and all meals for the week. Travel costs are not included.Access is important to us. If there is anything that might make attending difficult, including access to equipment, please let us know when applying. We will do what we can to support access.
	How to applyTo apply for a funded place, please submit a short statement of no more than 300 words explaining why you would like to take part, what you hope to gain from the experience, and how it would support your practice.Grant deadline: September 1st, 2026.
	Apply for a funded place



  
    
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    We'll be in touch after reviewing all applications.
  



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	<item>
		<title>Weekend Modular</title>
				
		<link>https://dyski.co/Weekend-Modular</link>

		<pubDate>Fri, 21 Nov 2025 10:58:57 +0000</pubDate>

		<dc:creator>Dyski</dc:creator>

		<guid isPermaLink="true">https://dyski.co/Weekend-Modular</guid>

		<description>
	Weekend Modular22–24 May 2026 — Cornwall
3–5 July 2026 — Yorkshire
	From patching solo to discovering modular together 


	For experienced users and those patching for the first time

	




	&#60;img width="2481" height="3508" width_o="2481" height_o="3508" data-src="https://freight.cargo.site/t/original/i/6d539027c43a3e817eab10b08dc8b85d3bbd726edcad382e41e822182a0b7a69/DYSKI_WeekendModular_2.jpg" data-mid="240932373" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/6d539027c43a3e817eab10b08dc8b85d3bbd726edcad382e41e822182a0b7a69/DYSKI_WeekendModular_2.jpg" /&#62;Upcoming Dates:3–5 July. Fri 4pm – Sun 3pm
Mylar Melodies,&#38;nbsp; Giggleswick, North Yorkshire.


	
Weekend Modular is a new series of small collaborative workshops from Dyski for anyone interested in exploring modular music-making. Each weekend brings together a small group of musicians, from experienced users to complete beginners, to share a house, meals and music while learning, improvising and creating side by side.


The series is designed to help people move from patching alone to discovering modular together. Guided by a guest artist, you will explore improvisation and live performance techniques in a relaxed and supportive setting, finding new ways to shape sound and new approaches to your own practice.


Across the weekend you will have space to experiment, expand your ideas and build lasting connections. You might arrive with familiar habits and leave with a refreshed perspective shaped by shared exploration and the simple joy of making music with others.


All levels are welcome. Experienced users will find likeminded collaborators and newcomers will find encouragement and guidance. Weekend Modular is a space for connection through music-making, free from pressure or expectation, and hosted in different locations across the UK. It offers time to listen, to make and to return home renewed. You Will Leave With:
New ideas and fresh approaches to your music-making
Hands-on experience with modular systems, even if it is your first time



A creative reset that renews your process and sparks new directions



A growing confidence with improvising alongside others



A clearer sense of how you want to shape and perform your sound in your own way
A weekend to explore modular in good company, moving from patching alone to discovering modular together.


	The Highlights

A guest modular artist at each edition, joining the group for the full weekendHands-on sessions where we patch, play and explore togetherA small group setting that encourages meaningful exchangeA balance of relaxed activity and open, free-flowing collaborationAccess to Music Thing Modular Workshop Systems throughout the weekendThe Basics 
Two nights of accommodation in a shared houseAll meals included: breakfast, lunch, dinner, snacks and drinksTime and space to learn, improvise, jam and connect with othersGear provided on site, or bring your own rig if you preferOpen to complete beginners as well as experienced users





  

    

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        July 3–5, 2026 — Mylar Melodies
      
    

    
    
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	&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b463bf9ad5813655035cab77e404263e3181819fe01bc30ae54ceb8f2094ded2/DYSKI_WeekendModular_MM.png" data-mid="241312124" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/b463bf9ad5813655035cab77e404263e3181819fe01bc30ae54ceb8f2094ded2/DYSKI_WeekendModular_MM.png" /&#62;Mylar Melodies is a British musician, youtuber, live performer and podcaster with the best part of three decades of first hand experience with all manner of hardware, software and modular musical equipment and processes. His ability to explain complex equipment in a simple way - as well as getting great sounds and melodies from them - have earned him many millions of lifetime views on YouTube. His shared experiences and explainers have inspired many to take their first steps down the rabbit hole of electronic music.︎︎︎ mylarmelodies
 ︎ mylar.melodies


	July 3–5 with Mylar Melodies
We're heading to Giggleswick in North Yorkshire for this one.

Friday evening opens with a guided demo from Mylar Melodies, offering insight into how he approaches sound, structure and play within a modular system. He will walk through his process, what he listens for, what he adjusts and how a patch evolves.

A short Q&#38;amp;A follows, and throughout the weekend Mylar will be on hand for anyone looking for feedback, direction or a fresh perspective on their setup.

Across the weekend he will spend time with participants as they explore their own instruments, offering practical advice, suggesting approaches and helping people build a more intuitive and confident relationship with their patches. His teaching style is open, encouraging and grounded in long experience.

If you haven't seen it, Mylar's video Explaining the best live modular I've made so far is full of tips and techniques for improvising with modular.
&#60;img width="5984" height="4000" width_o="5984" height_o="4000" data-src="https://freight.cargo.site/t/original/i/af4b864be5f17364225ef9afc061ad4d6f8fc590df56af1d64dc23d8970998a7/Mylar1.jpg" data-mid="241312354" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/af4b864be5f17364225ef9afc061ad4d6f8fc590df56af1d64dc23d8970998a7/Mylar1.jpg" /&#62;
Pricing and Accommodation
£995 • Residential, private single room

All options include the full cost of the workshop and all meals across the weekend.
	&#60;img width="2832" height="4240" width_o="2832" height_o="4240" data-src="https://freight.cargo.site/t/original/i/596ff7ef8b7151392e8926694bef597fc44b4ff31f0ea30e867195458dd95588/Mylar-Moog-Pic.jpg" data-mid="241312345" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/596ff7ef8b7151392e8926694bef597fc44b4ff31f0ea30e867195458dd95588/Mylar-Moog-Pic.jpg" /&#62;
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Music Thing Modular

Weekend Modular is created with the support of Music Thing Modular. Each weekend includes access to Tom Whitwell's Workshop Systems, originally designed for the first Dyski Sound Maps residency in 2024.


The Workshop System is a compact and open-ended modular instrument that is easy to learn and rewarding to explore. It is patchable, adaptable and works with whatever you already use, from a phone or laptop to pedals or a drum machine.


These systems are available for everyone throughout the weekend and sit alongside other modular setups you are welcome to explore.
A special thank you to Tom Whitwell for making this possible.Workshop System
 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
&#60;img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/6bb19e9a6070e02d0665d04bd3cba749615d1e5fb7ccd9a600b5a2bc2c866533/900-workshopsystem-full-straight-headphones-colour-2.jpeg" data-mid="240932374" border="0" data-no-zoom src="https://freight.cargo.site/w/900/i/6bb19e9a6070e02d0665d04bd3cba749615d1e5fb7ccd9a600b5a2bc2c866533/900-workshopsystem-full-straight-headphones-colour-2.jpeg" /&#62;Find out more about the Music Thing Modular Workshop System



	Funded places and accessThere are fully funded places available for this residency, intended to support those who may need financial assistance to attend.Funded places cover the residency fee, accommodation, and all meals for the week. Travel costs are not included.
How to apply

To apply for a funded place, please submit a short statement of no more than 300 words explaining why you would like to take part, what you hope to gain from the experience, and how it would support your practice.
	Apply for a funded place
 


  

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</description>
		
	</item>
		
		
	<item>
		<title>sound-maps</title>
				
		<link>https://dyski.co/sound-maps</link>

		<pubDate>Thu, 09 Apr 2026 12:26:31 +0000</pubDate>

		<dc:creator>Dyski</dc:creator>

		<guid isPermaLink="true">https://dyski.co/sound-maps</guid>

		<description>
	Sound Maps 3


	Sound Maps, Toronto

	These compositions were created during the Dyski Sound Maps residency at Gibraltar Point Centre for the Arts, Toronto Island, 2–6 March 2026.



	
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/fd2a6f4ddaa99e9d33274a577c36660d5a74656fa7cb06e5968e70baa82a79bc/SoundMaps-Toronto.jpg" data-mid="247015926" border="0"  src="https://freight.cargo.site/w/1000/i/fd2a6f4ddaa99e9d33274a577c36660d5a74656fa7cb06e5968e70baa82a79bc/SoundMaps-Toronto.jpg" /&#62;Make an Album in One Week with a Computer-Generated Graphic Score – on Toronto Island

1. Generate the score: A simple computer script creates a pseudorandom set of marks, track names, and coded descriptions.

2. Draw the score: A computer-controlled pen plotter draws these shapes onto maps of Toronto Island surrounding the Gibraltar Point Centre for the Arts. Participants adapt their scores as they see fit.

3: Interpret the score – Individuals and small ensembles explore a wide range of musical techniques, including field recordings, singing, tape loops, modular synths, and other instruments, using the island’s sound world as inspiration.

These compositions were created during the Dyski Sound Maps residency at Gibraltar Point Centre for the Arts, Toronto Island, 2–6 March 2026. Scores were generated by a 200-line Python script and realised via an AxiDraw plotter. Sound sources include the Music Thing Modular Workshop System, a portable modular synthesiser, and the diverse sonic environment of the island itself.

The album is now available on Bandcamp, and you’re invited to a live listening party on Wednesday 15 April at 9pm GMT / 4pm EDT. The listening party link will become active shortly before the start time.

credits
released April 15, 2026

Dune Desormeaux, Hugo Lindgren, Tyler Ball, Ken Little, Keelyn Szederkenyi, Teddy Hunter, JP King, Gabe De Oliveira, Hudson Kwantes, Arun Chaudhuri, Pete Latshaw, Kirk Eaton, Husna Farooqui, Kenneth Emig, Phil Miller, Marc Sullivan

With support from Tom Whitwell &#38;amp; Dion Star.

Mastered by Phil Miller (nauticalartifacts).The album is available as a pay-what-you-want download on Bandcamp. Any contributions will go towards funding a free place on a future DYSKI residency.


Sound Maps, Toronto by Dyski

	
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&#60;img width="5585" height="3725" width_o="5585" height_o="3725" data-src="https://freight.cargo.site/t/original/i/597437409795c05196215e35fb9099abdd0d34dc41fd10df90d9f56f7ae2db2d/IMG_2488.jpg" data-mid="247093561" border="0"  src="https://freight.cargo.site/w/1000/i/597437409795c05196215e35fb9099abdd0d34dc41fd10df90d9f56f7ae2db2d/IMG_2488.jpg" /&#62;
&#60;img width="3753" height="2504" width_o="3753" height_o="2504" data-src="https://freight.cargo.site/t/original/i/3b8ad90721b35739f04cdd018e93308d32b71d50f174b229511e7f30bc797937/IMG_8671.JPG" data-mid="247093562" border="0"  src="https://freight.cargo.site/w/1000/i/3b8ad90721b35739f04cdd018e93308d32b71d50f174b229511e7f30bc797937/IMG_8671.JPG" /&#62;
This residency has been made possible with funding support from the Responsive Ecologies Lab at Toronto Metropolitan University, Designing Sound Futures at York University and Building Access in Music Making at Western University.



	


	Sound Maps 2
	Two
	These compositions were recorded at the Dyski Sound Maps residency at Calamansac in Cornwall, April 26–May 1, 2025.&#38;nbsp;


	&#60;img width="1199" height="1200" width_o="1199" height_o="1200" data-src="https://freight.cargo.site/t/original/i/5115a429862b084e133b1f57995d752db96410a56b25b6d776bc0a9fad6c9576/Sound-maps-2.jpg" data-mid="247002082" border="0"  src="https://freight.cargo.site/w/1000/i/5115a429862b084e133b1f57995d752db96410a56b25b6d776bc0a9fad6c9576/Sound-maps-2.jpg" /&#62;“Make an album in a day with a computer-generated Graphic Score”

1: A simple computer script creates a pseudorandom set of marks and shapes, and generates track names and coded descriptions.
2: A computer-controlled pen plotter draws these shapes onto a map of the Helford River Estuary surrounding the residency site.
3. Individuals and small ensembles can use a wide range of musical techniques to interpret these scores, including field recordings, singing, tape loops, modular synths and other instruments.

These compositions were recorded at the Dyski Sound Maps residency at Calamansac in Cornwall, April 26–May 1, 2025. Scores are generated by a 200-line Python script and drawn on an AxiDraw plotter. Sound sources include the Music Thing Modular Workshop System, a portable modular synthesiser.

credits
released May 30, 2025

Aidan O’Brien, Adrien Capozzi, Alex Breuer, Dan DeLuca, David Stelfox, Georgie West, Hanna Kops, Hannah de Oliveira Whitlock, Joshua Rodenberg, Matt Eris, Matthew Mills, Merlin Goldman, Oren Velasquez Hirtenstein, Sacha Marson.

With support from Tom Whitwell, Dion Star &#38;amp; Florence Sinnett.

Port Navas Sessions: Sound Maps Two by Dyski


	
&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/38f5f5f6ce61bb1a0d975bc4a73fdec956e6bef2fec3db0a88a83999c51a3dda/Sound-Maps-2025-81-2.jpg" data-mid="247003238" border="0"  src="https://freight.cargo.site/w/1000/i/38f5f5f6ce61bb1a0d975bc4a73fdec956e6bef2fec3db0a88a83999c51a3dda/Sound-Maps-2025-81-2.jpg" /&#62;
&#60;img width="5277" height="3518" width_o="5277" height_o="3518" data-src="https://freight.cargo.site/t/original/i/a803de1a9ef1eae0ef94e81b5d650d0f5fe26d561de5f1982a40e69060797d44/Sound-Maps-2025-12-1.jpg" data-mid="247003087" border="0"  src="https://freight.cargo.site/w/1000/i/a803de1a9ef1eae0ef94e81b5d650d0f5fe26d561de5f1982a40e69060797d44/Sound-Maps-2025-12-1.jpg" /&#62;
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&#60;img width="3551" height="5327" width_o="3551" height_o="5327" data-src="https://freight.cargo.site/t/original/i/c6609b67c9627fcd684df97a32e553b876e03d706ebc4ff80cc2d7d260c278f8/Sound-Maps-2025-50.jpg" data-mid="247003058" border="0"  src="https://freight.cargo.site/w/1000/i/c6609b67c9627fcd684df97a32e553b876e03d706ebc4ff80cc2d7d260c278f8/Sound-Maps-2025-50.jpg" /&#62;
&#60;img width="5348" height="3565" width_o="5348" height_o="3565" data-src="https://freight.cargo.site/t/original/i/a3ffc455a871112bab3b1113a4afb9506264be0fe244f1382e30699e55c9cb40/Sound-Maps-2025-9.jpg" data-mid="247003252" border="0"  src="https://freight.cargo.site/w/1000/i/a3ffc455a871112bab3b1113a4afb9506264be0fe244f1382e30699e55c9cb40/Sound-Maps-2025-9.jpg" /&#62;

&#60;img width="5231" height="3487" width_o="5231" height_o="3487" data-src="https://freight.cargo.site/t/original/i/5611f2779212f40635f4af4b466e6e034f2e8bba6405d8c0e1eac3c92b428e8c/Sound-Maps-2025-120-2.jpg" data-mid="247003249" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/5611f2779212f40635f4af4b466e6e034f2e8bba6405d8c0e1eac3c92b428e8c/Sound-Maps-2025-120-2.jpg" /&#62;








	Sound Maps 1
	Port Navas Sessions
This collection of compositions were recorded at the Dyski Sound Maps residency in Cornwall, 13-18 April 2024.
	At the first Sound Maps, three seperate albums were created in the week.Bandcamp Links: &#38;nbsp;

Album 1. Sine Wave Portraits
Album 2. Sound Maps

Album 3. Dyski Orchestra



	
&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/19a591143d8916f76e312ef3ec312b7267846656e7b72b742d4cf394c7fce531/Sine-Wave-Portraits--Album-Cover.png" data-mid="247000757" border="0"  src="https://freight.cargo.site/w/1000/i/19a591143d8916f76e312ef3ec312b7267846656e7b72b742d4cf394c7fce531/Sine-Wave-Portraits--Album-Cover.png" /&#62;Album 1. Sine Wave Portraits
“You’re only allowed one sine wave and the volume knob. Use that to draw a picture” 

1: Each participant draws a 60 second blind contour pencil sketch of three other participants, inspired by Kimon Nicolaïdes ‘The Natural Way to Draw’. They don’t look at the paper while drawing, and turn the paper over when they’ve finished.
 
2: Sketches are shuffled, and each participant is given one sketch. They don’t know who drew it, or who it represents.
 
3: Participants use a sine wave generator to re-create the sketch as audio, limited to just frequency and volume. They do this several times, listening back each time.
 
4. They can layer multiple recordings to create a more intricate representation.
 
5. No effects or other sound sources can be used. 

The only sound source is the hand-controlled sine wave generator on a Music Thing Modular Workshop System, a portable modular synthesiser.
 Bandcamp link:Album 1. Sine Wave PortraitsPort Navas Sessions: Sine Wave Portraits by Dyski





	

&#60;img width="4839" height="3226" width_o="4839" height_o="3226" data-src="https://freight.cargo.site/t/original/i/99e159d147ca3ef0c78579f0b6678b083391aec505a737bca0901e96e14ea99e/751A9351.jpg" data-mid="247000705" border="0"  src="https://freight.cargo.site/w/1000/i/99e159d147ca3ef0c78579f0b6678b083391aec505a737bca0901e96e14ea99e/751A9351.jpg" /&#62;
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&#60;img width="3469" height="5203" width_o="3469" height_o="5203" data-src="https://freight.cargo.site/t/original/i/ea364fbcc8b908ee55550e5db2f2bb05e7e490022b594d99e95c8f12f207d900/751A9738.jpg" data-mid="247000741" border="0"  src="https://freight.cargo.site/w/1000/i/ea364fbcc8b908ee55550e5db2f2bb05e7e490022b594d99e95c8f12f207d900/751A9738.jpg" /&#62;
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&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/255acf18acc57daf5d7187683a46b0852604c0f8a8a23f2b83678140b43e1f76/751A1163.jpg" data-mid="247000719" border="0"  src="https://freight.cargo.site/w/1000/i/255acf18acc57daf5d7187683a46b0852604c0f8a8a23f2b83678140b43e1f76/751A1163.jpg" /&#62;


	


	&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/7f2de16c2dfc0fadd3926374d303a23c3c8b0ceb7b177aedcb989049f6f7822c/SoundMaps-AlbumCover.jpg" data-mid="247000758" border="0"  src="https://freight.cargo.site/w/1000/i/7f2de16c2dfc0fadd3926374d303a23c3c8b0ceb7b177aedcb989049f6f7822c/SoundMaps-AlbumCover.jpg" /&#62;Album 2. Sound Maps
 “Make an album in a week with a computer-generated Graphic Score and a tiny modular synth” 

1: A simple computer script creates a pseudorandom set of  marks and shapes, and generates track names and coded descriptions.
  
2: A computer-controlled pen plotter draws these shapes onto a map of the Helford River Estuary surrounding the residency site.
 
3. Individuals and small ensembles can use a wide range of musical techniques to interpret these scores, including field recordings, singing, tape loops, modular synths and hand-made instruments.
 
4: They work outside the studio, recording in locations specified by the score.
 
5: They have just over 24 hours to record up to six tracks per ensemble. 

These compositions were recorded at the Dyski Sound Maps residency at Calamansac in Cornwall, 13-18 April 2024. Scores are generated by a 200-line Python script and drawn on an AxiDraw plotter. Sound sources include the Music Thing Modular Workshop System, a portable modular synthesiser. 


Players: 

Calamansac 
Alisa Chekh
Douglas Murray
James Robinson 

Sanav Torp 
Bruce Magill 

Intersection 
Paul Hadfield
Sara Wolff
Aidan O’Brian
Jess Borders
Joaquin Freccia

Duolian
David Miller 

Traversing 
Paul Ridout 

INAT 
Aleksandra PeljinBandcamp link:Album 2. Sound Maps
Port Navas Sessions: Sound Maps by Dyski

	
&#60;img width="3648" height="4864" width_o="3648" height_o="4864" data-src="https://freight.cargo.site/t/original/i/397fbb5b7f918a11554da4c612134e0b6c6cd4b9de69c3915557ea23cc254340/751A1082.jpg" data-mid="247000727" border="0"  src="https://freight.cargo.site/w/1000/i/397fbb5b7f918a11554da4c612134e0b6c6cd4b9de69c3915557ea23cc254340/751A1082.jpg" /&#62;
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	&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/aec6b6dd9191b862dc9806309eeaf0f82822088aaf849c6a073eba72bb78fcda/DyskiOrchestra-AlbumCover.jpg" data-mid="247000759" border="0"  src="https://freight.cargo.site/w/1000/i/aec6b6dd9191b862dc9806309eeaf0f82822088aaf849c6a073eba72bb78fcda/DyskiOrchestra-AlbumCover.jpg" /&#62;Album 3.&#38;nbsp; Dyski Orchestra
“A fifteen-piece improvised sine wave orchestra, playing together on two ping-pong tables” 

1: Each musician is controlling the pitch of a sine wave generator in the Music Thing Modular Workshop System, and a volume control. 

2: The systems are amplified by a variety of small amplifiers scattered around the room. 

3: The orchestra is conducted by a variety of participants, using simple text scores. 
Players:

James Robinson 
Aleksandra Peljin
Sara Wolff
Jess Borders
Alisa Chekh
Douglas Murray
Paul Hadfield
Aidan O’Brian
Joaquin Freccia
Bruce Magill
David Miller
Paul Ridout
Tom Whitwell 
Dion Star 
Hannah de Oliveira Whitlock 
Florence SinnettBandcamp link:Album 3. Dyski OrchestraPort Navas Sessions – Dyski Orchestra by Dyski






	
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